Sculptural
Marvel
The Latha Mandapa of Lepakshi Temple in Andhra Pradesh, India, is renowned for its exquisite stone carvings, including a unique and fascinating motif known as the “Saree Borders.” These intricate carvings depict the finely detailed designs found on the borders of Indian traditional sarees and are a remarkable testament to the artistic craftsmanship of the temple’s builders.
The story behind the saree border carvings in the Latha Mandapa is not explicitly documented in historical records, but it is believed to reflect the cultural and social life of the time when the temple was constructed during the Vijayanagara Empire period in the 16th century.
“Step into a timeless masterpiece at Lepakshi Temple’s Latha Mandapa.
This ethereal pillared hall, adorned with delicately carved stone columns resembling cascading vines, whispers tales of devotion, craftsmanship, and artistry from the Vijayanagara era. Each pillar weaves a story, taking you on a journey through the intricate tapestry of India’s rich cultural heritage.”
The saree border carvings in the Latha Mandapa of Lepakshi Temple are not just ornate decorations but living pieces of history and culture, offering a unique and immersive experience for those who explore this remarkable temple. They continue to be a source of inspiration and appreciation for art enthusiasts, historians, and devotees alike, preserving the rich legacy of the Vijayanagara architectural and artistic heritage.
If you come down the stairs here, you will see a Shivalinga in a small four-legged mantapa. It is known as Tandavesvara Lingam and is said to have been built by the 12th century Chola king Madhava Varma. There is a gate coming from the third prakara, there are some mandapas in the north-west direction, yagas and homas are performed here on the occasion of festivals. There is a tunnel in the north direction here. There is a big bunch of basil next to imagination which may be up to Penugonda. It is estimated that the men of that time were 8 to 10 feet tall when they saw the raga-throwing Raibaga seen in this tulsi katta and the third rampart. To its east is a small temple dedicated to Anjaneya’s son Maccha Anjaneya.